- Giuseppe A. Centauro e Enzo Settesoldi, Al tempo di Piero della Francesca: licenze e proibizioni nelle vesti e negli ornamenti delle donne e degli uomini a Borgo San Sepolcro, A.D. 1473;

- Evelyn M. Cohen, Meaning Is in the Art of the Restorer: The Changing Appearance of Giovanni da Modena’s Frescoes in San Petronio,

- Mary Edwards, The Circular Plan in Altichiero’s Cycle of St. Lucy in the Oratory of St. George in Padua and Its Impact on Masaccio; - Yael Even, On the Cavalier Display of Sexual Violence in Ducal Florence;

- Creighton Gilbert, The Spans of Time in the Brancacci Chapel; - Joseph Manca, Benvenuto Cellini and Two Memories of His Childhood;

- Norberto Massi, Lorenzo Lotto’s New York Venus;

- Julia I. Miller, The Man of Sorrows at Santa Maria Nuova;

- Alessandro Parronchi, Il giovanile Crocifisso ligneo di Jacopo Sansovino;

- Carlo Pedretti, Masaccio to Leonardo: The Renaissance at Foot Level;

- Donald Martin Reynolds, A Remembrancer for the Victims and the Tragedy of 9/11/01;

-  Elinor M. Richter, A Chip off Whose Old Block? Michelangelo’s Sienese Predecessor;

- Jonathan Riess, The Jew and Judaism in Giotto’s Arena Chapel Frescoes;

- David Rosand, Passion and Pathos: Affective Structures and the Content of Form;

- Jane Schuyler, The Pig That Became a Ram in Michelangelo’s Scene of Sacrifice on the Sistine Ceiling;

- Craig Hugh Smyth, Michelangelo and Giorgione;

- John T. Spike, The Brancacci Code,

- Anchise Tempestini, Il polittico di Aquileia ed il suo ultimo restauro;

- William E. Wallace, Zio Michelangelo;

- Hellmut Wohl, Cosimo/Cosmos: The Iconography of Cosimo Pater Patriae de’ Medici

- Mark Zucker and Lynn Catterson, Introduction;

- Nino Filastò, Prefazione; Pellegrino d’Acierno, Giotto’s O: Economimesis in the Scrovegni Chapel,
- Laurie Schneider Adams, Restoration: Image, Text, Barthes, Freud, and the Death of the Artist;

- Wayne Andersen, Broomstick to Hobby Horse: Presenting and Representing;

- Gail Aronow, From the Desk of the Operaio del Duomo di Siena: Bartolomeo Cecchi’s Memoriale;

- Alessio Assonitis, Fra Zanobi Acciaiuoli’s Oratio in laudem urbis Romae (1518): Antiquarianism and Savonarolism at the Time of Raphael;

- Paul Barolsky, Victorian Visions of the Italian Renaissance;

- Eleonora M. Beck, On Tours: Artistic Collaborations between Johannes Ockeghem and Jean Fouquet;

- Hans Belting, The Invisible Icon and the Icon of the Invisible: Antonello and New Paradigms in Renaissance Painting;

- Gabriel Blumenthal, Filippo Brunelleschi’s Sagrestia Vecchia and the Ancient Baptistery of San Lorenzo;

- Perry Brooks, Observations on Piero della Francesca’s Frescoes in Ferrara;

- Denise M. Budd, Leonardo, Medici Ephemera, and the Art of the Pazzi Conspiracy;